Cry/Laugh Play Review: A Medieval Tale of Power and Comedy (2026)

In the whimsical world of Cry/Laugh, playwright Nay Dhanak invites us to ponder the peculiar dynamics of power and privilege. Set in a medieval realm, the play explores the unique positions of the town crier and the jester, two figures with an unusual degree of access to the ruling class. Dhanak draws a parallel between this historical imbalance and the contemporary power dynamics between tech giants and the rest of us, a theme that resonates deeply in our modern age.

The town crier, played by James Peake, is a figure of pathos. He carries the weight of delivering bad news to the masses, yet his importance is quickly dismissed by the king. On the other hand, Morven Blackadder's jester, once a trusted advisor, is now tasked with an impossible mission, highlighting the fickle nature of power and the vulnerability of those who hold it.

The Clownish Quest

In this lunchtime production, the actors bring a lively energy to their characters' quest for relevance. They embark on a fairytale-like journey to find new roles, a metaphor for the constant struggle to stay relevant in a changing world. The production, directed by Ben Standish and Brian Logan, captures the playful spirit of the play, but at times, the actors' enthusiasm seems to outpace the story's ability to sustain it.

Power, Accountability, and Jokes

While Dhanak's exploration of power dynamics is intriguing, it often takes a backseat to the play's focus on narrative structure and the mechanics of humor. The writer's fascination with the art of the joke becomes a self-referential commentary, almost to the detriment of the political themes. Despite the actors' valiant efforts, Cry/Laugh struggles to find the right balance between absurdity and political intent, leaving the audience with a sense of unfulfilled potential.

A Thoughtful Reflection

In my opinion, Cry/Laugh is a play that invites us to reflect on the nature of power and our own place in the world. It raises questions about the responsibility that comes with privilege and the fragility of our positions, no matter how secure they may seem. While the play's execution may not fully realize its ambitious vision, it leaves us with a thought-provoking experience and a deeper appreciation for the complexities of power dynamics, both in the medieval world and our own.

Cry/Laugh Play Review: A Medieval Tale of Power and Comedy (2026)
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